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Oil Paintings Come From United Kingdom
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Rembrandt van rijn
1606-1669 Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.

 

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Rembrandt van rijn Old Soldier oil painting

Painting ID::  82441

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Rembrandt van rijn
Old Soldier
first half of 17th century Medium Oil on wood cyf
   
   
     

 

 

Rembrandt van rijn The Supper at Emmaus oil painting

Painting ID::  82469

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Rembrandt van rijn
The Supper at Emmaus
1629 Medium Oil on panel Dimensions 37.4 x 42.3 cm (14.7 x 16.7 in) cyf
   
   
     

 

 

Rembrandt van rijn Selbstportrat mit toter Rohrdommel oil painting

Painting ID::  82482

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Rembrandt van rijn
Selbstportrat mit toter Rohrdommel
1639 Medium Oil on wood Dimensions 121 x 89 cm cyf
   
   
     

 

 

Rembrandt van rijn The abduction of Proserpina oil painting

Painting ID::  82934

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Rembrandt van rijn
The abduction of Proserpina
. 1631 (1630-1631) Medium Oil on oak panel Dimensions 84.4 x 79.7 cm (33.2 x 31.4 in) cyf
   
   
     

 

 

Rembrandt van rijn The abduction of Proserpina oil painting

Painting ID::  83143

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Rembrandt van rijn
The abduction of Proserpina
1631 (1630-1631) Medium Oil on oak panel Dimensions 84.4 x 79.7 cm (33.2 x 31.4 in) cyf
   
   
     

 

 

Rembrandt van rijn The Deposition. oil painting

Painting ID::  92491

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Rembrandt van rijn
The Deposition.
1632-1633 Medium oil on cedar panel Dimensions 89.4 X 65.2 cm (35.2 X 25.7 in) cjr
   
   
     

 

 

Rembrandt van rijn Portrait of a scholar. oil painting

Painting ID::  92807

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Rembrandt van rijn
Portrait of a scholar.
1631 Medium oil on canvas Dimensions 104.5 X 92 cm (41.1 X 36.2 in) cjr
   
   
     

 

 

Rembrandt van rijn Bust of a man in a gorget and a feathered beret. oil painting

Painting ID::  93226

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Rembrandt van rijn
Bust of a man in a gorget and a feathered beret.
1626-1627 Medium oil on oak panel Dimensions 40 x 29.4 cm (15.7 x 11.6 in) cjr
   
   
     

 

 

Rembrandt van rijn Aristotle Contemplating a Bust of Homer oil painting

Painting ID::  94892

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Rembrandt van rijn
Aristotle Contemplating a Bust of Homer
1653(1653) Medium oil on canvas Dimensions 143.5 x 136.5 cm cyf
   
   
     

 

 

Rembrandt van rijn Portrait of a Forty oil painting

Painting ID::  96514

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Rembrandt van rijn
Portrait of a Forty
1634. oil on panel cyf
   
   
     

 

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Rembrandt van rijn
1606-1669 Dutch painter, draughtsman and etcher. From 1632 onwards he signed his works with only the forename Rembrandt; in documents, however, he continued to sign Rembrandt van Rijn (occasionally van Rhyn), initially with the addition of the patronymic 'Harmensz.'. This was no doubt in imitation of the great Italians such as Leonardo, Michelangelo, Raphael and Titian, on whom he modelled himself, sometimes literally. He certainly equalled them in fame, and not only in his own country. His name still symbolizes a whole period of art history rightfully known as 'Holland's Golden Age'. In 1970-71 a great exhibition in Paris was devoted to it under the eloquent title Le Si?cle de Rembrandt. A century before, a popular work of cultural history by C. Busken Huet referred to the Netherlands as 'the land of Rembrandt'. His fame is partly due to his multi-faceted talent. Frans Hals was perhaps at times a greater virtuoso with the brush but remained 'only' a portrait painter. Vermeer may have excelled Rembrandt in the art of illusion but was less prolific. Rembrandt was not only a gifted painter but also an inspired graphic artist: he has probably never been surpassed as an etcher, and he often seems inimitable as a draughtsman. His subjects reflect his manifold talent and interests. He painted, drew and etched portraits, landscapes, figures and animals, but, above all, scenes of biblical and secular history and mythology.